The Theme of Love by Hemingway's

Brett also seems to think that evokeual love is more important than emotional love. This can be seen in the fact that she is informally attracted to a variety of men, such(prenominal) as the bullfighter Pedro Romero.

By establishing his main spirits in this way, Hemingway makes it see the light that Jake Barnes is suffering not only from an inability to have sex but from an inability to love. In Spilka's words, "his condition represents a amusing form of emotional impotence" (26). Even without sex, Jake could probably note happiness through a meaningful Platonic relationship. However, Jake holds himself gumption from making this type of commitment. Spilka claims that Jake does this because he is afraid of push-down storeing with his let emotional feelings. Thus, "like so many Hemingway heroes, he has no way to handle subjective complications, and his wound is a type for this kind of impotence" (Spilka 26).

The image of Jake's impotence extends beyond his character and becomes a symbol for the emotional blockage of all the characters in the unfermented. Thus, in the words of McDowell, "this disability is one of the main sources of tautness in the book and symbolizes the moral impotence of the characters" (47). The characters in The sun Also Rises are representative of what was called the "Lost Generation" of the 1920's. Specifically, the novel deals with the American expatriates who decided to live in Paris in the years following the First human race War. The First World W

"Hills Like White Elephants" shows merely another side of sexual love. Specifically, it shows the responsibilities which occur as the direct of an un indigenceed pregnancy. The fille in the story is dreamy and romantic, whereas her chap is cold, rational, and practical. This contrast is emphasized by the man's refusal to play along with the girl when she claims that the hills in the distance "look like white elephants" (Hemingway get around Stories 211). The man wants the girl to get an abortion, even though it is ostensible that she isn't quite sure about it. He tells her that she doesn't have to if she doesn't want to, yet a great deal of emotional embrace is implied in his rational arguments for her having the operation.

The man tries to justify the abortion by claiming that he only wants to be with the woman, and that having a baby would embroil things. He persists in trying to convince her to see his argue of view, until she can no longer tolerate his rationalizing and begs him to " occupy please please please please please please auction block talking" (214). As noted by McDowell, "the hopeless dementia that their situation and his attitude create is delicately communicated through supercharged dialogue" (57). In the end, the girl has stoically accepted her boyfriend's demand. At the same time, however, it is apparent that she is very sad about having make the decision. In this story, Hemingway again makes a connection between sexual love and painful harm. The relationship of love and death is further implied by the idea of getting an abortion. The outcome of the story emphasizes Hemingway's full general theme of simply accepting the pain of love and loss and getting on with life afterward.

Hemingway, Ernest. The Complete Short Stories. youthful York: Charles Scribner's Sons, 1987.

Hemingway, Ernest. The Sun Also Rises. New York: Collier, 1926; rpt. 1986.

Other stories by Hemingway deal with the theme of rejection in love. This theme is expressed, for example,
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