A Freudian Outlook on ShakespeargonWilliam Shakespeare was an excellent poet and playwright, writing more plays, sonnets and poems, but why does one study Shakespeare hundreds of years subsequently his death? It is because his works never ceases to amaze us; not only is it fascinating, but some of his ideas predate those of other far-famed writers and philosophers. In Hamlet, for instance, one sees a play with themes and ideas that Sigmund Freud discovered close to ternary hundred years after it was written. Through Freud?s division of mind and the Oedipus complex, one sees how Freud?s psychological concepts are foreshadowed in Shakespeare?s Hamlet hundreds of years earlier.
Freud classifies the mind into three divisions: the id, the ego, and the super-ego. Strickland calls the id the most basic and rudimentary post of the human?s mind. (Strickland ed. 323). It shadower be described as attaining immediate expiation without worrying about the consequences. This is seen in Hamlet when Hamlet feels no guilt after killing Polonius. Instead of feeling troubling and guilty for such a horrible act, he scorns Polonius by saying: ?Thou wretched, rash, intruding fool, farewell! / I took thee for thy better. expunge thy fortune. / Thou findst to be too busy is some insecurity? (Shakespeare 3.4 32-35).
Another part of the id is the urge or lust for familiar pleasure. This can be seen with these two erotic puns Hamlet makes towards Ophelia: ?Lady, shall I lie in your lap? (3.2 102). Also: ?Do you come back I meant country matters? (3.2 106). In addition, although no direct cite can relate hamlet to the sexual desire of his mother, it can easily be interpreted as so.
The next part of Freud?s division of the mind is the ego. The ego acts like a mediator between the id and the superego.
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