Shakespeare also explores love's relationship with Time, personifying both as powerful forces. He tells the reader that "Love's not Time's fool, though rosy lips and cheeks/Within his bending sickle's compass come" (ll. 9-10). The credit entry of Time's "bending sickle" is a clear allusion to death, which serves to highlight Time's power and relentless. However, Shakespeare hastens to point out that love is able to fend off-key Time because even though the beloved's beauty may waste with the seasons, love will endure. The reader is assured that "love alters not with his brief hours and weeks" (l. 11). Indeed, love "bears it out even to the edge of condemn" (l. 12), which seems to suggest that love will survive not besides throug
h a lifetime, alone until the very end of the world itself.
But the very circumstance that poem's final lines form a couplet underscores their importance as the sonnet's climax.
Here, Shakespeare is quite emphatic, as he states, "If this be error and upon me proved,/I never writ, nor no man ever loved" (ll. 13-14). In fact, Shakespeare is so certain of love's immutable, eternal nature that he is ordain to stake his reputation as a poet on the veracity of the claim. If his declarations about love are proven to be false, therefore Shakespeare recants all that he has written and has never truly been in love. Certainly it is a dramatic conclusion to the sonnet, but it doubtlessly solidifies the poem's central purpose. Indeed, Shakespeare has made a quite convincing geek for love's ability to withstand both time and death.
It is also beta to consider how the sonnet's rhyme scheme helps to make Shakespeare's central purpose clear. Following the sonnet tradition, the poem is composed of three quatrains and one couplet. In the three quatrains, the first and third lines generally rhyme, and the certify and forth do as well. That pattern is consistent throughout the sonnet, but it is the groupings of four lines that perhaps have the greatest impact on the poem's
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