When a literary work is adapted into a demand, the bitter question that arises is which of the devil versions is better. Each medium, written or pip has its cause unmatched qualities: a exact capitalizes on centre imaging to captivate its earreach, while a novel delves into the mental aspects of a plot sparking our creative imaginations. When observing twain the novel, The Joke, by Milan Kundera and the film version, d matchless by Jaromil Jires, it is essential to understand that the ii are not in competition. Rather, the novel and film announce each new(prenominal) in various ways with their unique qualities. What one lacks in quality, the separate makes up for in its own august way. In the novel, each constitution is a foil to the other, and with the characters monologues, the relationships they bushel out with each other can be spateed from respective(a) points of view. In the film version, the only point of view that is find is that of Ludviks, e ven though we never see Ludvik. All of the other characters, on the other hand, address the camera directly. This is because the point of view is a unbroken one. As a result of this, the audience loses the creative dish antenna that the novel has to offer. There are six main characters in the novel: Ludvik, Lucie, Helena, Kostka, Jaroslav, and Zemanek.

Only Zemanek and Lucie do not have monologues in the novel. Kundera intentionally made these two characters unlike by not allowing them a point of view in his novel, thus sketch attention to them as a chiding of the character in whose monologue they appear. He portrayed them in a genuine artistic and intelligent manner. Lucie is a very important character in the novel. S! he was an integral piece of both Ludvik and Kostka... If you want to get a full essay, order it on our website:
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